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It was like a stroll through the rock and roll hall of fame. I ambled through the presets, many sounds so distinctive I couldn't help but play a piece evoked by the sound. Preparing for the review it was easy to be focused on the quality of the simulation of the amps, but getting in about the presets I came to realize that this was also a great set of realistic guitar effects, not just amplifier simulations.
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The presets also include effects and are in themselves very usable. First impression, there was plenty to choose from, with plenty of preset sounds for each of the 12 amplifiers. To start with, the presets provide a good selection of the sounds that define each amp. There is a choice of 8 preset signal chains for connecting the modules together with 2 side by side rigs that you can configure as 1 large rig, 2 simultaneous rigs, or something between the two extremes.
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Similar to previous versions of AmpliTube® there are 5 different sound modules:Ī full list is provided at the end of the review. Set up was straightforward although as you would expect I had to fine tune the latency to match the capability of my host system which is accessible via the settings menu. This section contains the controls to adjust your input gain, perform basic signal conditioning using a noise gate, a preferences section and a selected parameter display for adjusting individual controls on selected stomp boxes or rack effects. The Input/Output section can be found at the bottom of the AmpliTube® window. I had no problems with the installation itself and was able to be playing pretty quickly.
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An installation wizard guides you through the process and there is an installation and authorization PDF file to help.
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The PC I used ran Windows XP, a EMU 1616M sound card and displayed at 1920 x 1200 resolution.ĪmpliTube® Fender® is available as either CD or download, and uses a Digital ID, authorization code, and software serial number (on registration card in the boxed product or within an email if you download) in order to install and authorize the product. Not having one to hand (or foot) it was not used as part of this review. IK Multimedia® do offer the Stomp IO® controller as a separate product to more easily select patches. Throughout I used the menu system to change patches.
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For my initial impressions of the interface as a new user please read my AmpliTube® Jimi Hendrix TM review.
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I started this review fresh from reviewing AmpliTube® Jimi Hendrix™, so I was pretty familiar with the interface already. This allowed me to focus on the amp simulations before moving onto running it as a VST plug in. I decided to keep things simple so I used the stand alone version first. IK Multimedia® and Fender® passed development versions back and forward, investing 2 years in the development of AmpliTube® Fender® before they were all completely satisfied that the simulations were perfect. The boys at Fender® have certified the sound at every stage and the same tests that are applied to the real amps were used to test the simulation, comparing the models directly with the original gear to ensure they behaved and sounded like the genuine amp, cabinet or effect. Looking into it, this was no mere collaboration where Fender simply signed off on the overall product.